Dolores Huerta is a renowned American labor leader and civil rights activist who co-founded the United Farm Workers union alongside Cesar Chavez.
The Feminist Seed is Planted
Dolores Clara Fernandez was born on April 10, 1930 in Dawson, a small mining town in the mountains of northern New Mexico. Her father Juan Fernández, a farm worker and miner by trade, was a union activist who ran for political office and won a seat in the New Mexico legislature in 1938. Dolores spent most of her childhood and early adult life in Stockton, California where she and her two brothers moved with their mother, following her parents’ divorce.
According to Dolores, her mother’s independence and entrepreneurial spirit was one of the primary reasons she became a feminist. Dolores’ mother Alicia was known for her kindness and compassion towards others. She offered rooms at affordable rates in her 70 room hotel, which she acquired after years of hard work. Alicia welcomed low-wage workers in the hotel, and often, waived the fee for them altogether. She was an active participant in community affairs, involved in numerous civic organizations and the church. Alicia encouraged the cultural diversity that was a natural part of Dolores’ upbringing in Stockton. The agricultural community where they lived was made up of Mexican, Filipino, African-American, Japanese and Chinese working families.
Alicia’s community activism influenced Dolores’ involvement as a student at Stockton High School. She was active in numerous school clubs, was a majorette, and a dedicated member of the Girl Scouts until the age of 18. Upon graduating, Dolores continued her education at the University of Pacific’s Delta College in Stockton earning a provisional teaching credential. During this time, she married Ralph Head and had two daughters, Celeste and Lori. While teaching, she could no longer bear to see her students come to school with empty stomachs and bare feet, and thus began her lifelong journey of working to correct economic injustice.
An Organizer is Born
As much as she was Cesar’s right hand she could also be the greatest thorn in his side. The two were infamous for their blow out arguments an element that was a natural part of their working relationship. Dolores viewed this as a healthy and necessary part of the growth process of any worthwhile collaboration. While Dolores was busy breaking down one gender barrier after another, she was seemingly unaware of the tremendous impact she was having on, not only farm worker woman but also young women everywhere.
While directing the first National Boycott of California Table Grapes out of New York she came into contact with Gloria Steinem and the burgeoning feminist movement who rallied behind the cause. Quickly she realized they shared much in common. Having found a supportive voice with other feminists, Dolores consciously began to challenge gender discrimination within the farm workers’ movement.
Non-Violence Is Our Strength
Early on, Dolores advocated for the entire family’s participation in the movement. After all it was men, women and children together out in the fields picking, thinning and hoeing. Thus the practice of non-violence was not only a philosophy but a very necessary approach in providing for the safety of all. Her life and the safety of those around her were in jeopardy on countless occasions. The greatest sacrifice to the movement was made by five martyrs all of whom she knew personally.
At age 58 Dolores suffered a life-threatening assault while protesting against the policies of then presidential candidate George Bush in San Francisco. A baton-wielding officer broke four ribs and shattered her spleen. Public outrage resulted in the San Francisco Police Department changing its policies regarding crowd control and police discipline and Dolores was awarded an out of court settlement.Following a lengthy recovery she took a leave of absence from the union to focus on women’s rights. She traversed the country for two years on behalf of the Feminist Majority’s Feminization of Power: 50/50 by the year 2000 Campaign encouraging Latina’s to run for office. The campaign resulted in a significant increase in the number of women representatives at the local, state and federal levels. She also served as National Chair of the 21st Century Party founded in 1992 on the principles that women make up 52% of the party’s candidates and that officers must reflect the ethnic diversity of the nation.
Her Second Wind
At 93, Dolores Huerta continues to work tirelessly developing leaders and advocating for the working poor, women, and children. As founder and president of the Dolores Huerta Foundation, she travels across the country engaging in campaigns and influencing legislation that supports equality and defends civil rights. She often speaks to students and organizations about issues of social justice and public policy.
There are thousands of working poor immigrants in the agriculture rich San Joaquin Valley of California. They are unfamiliar with laws or agencies that can protect them or benefits that they are entitled to. They are often preyed upon by unscrupulous individuals who take advantage of them. They often feel hopeless and unable to remedy their situations.
Dolores teaches these individuals that they have personal power that needs to be coupled with responsibility and cooperation to create the changes needed to improve their lives.
It is rarely practiced today because it is tedious and time consuming. However, the results are long lasting and while people are in the process of building organization, they are learning lessons they will never forget and the transformative roots are planted. The fruit is the leadership that is developed and the permanent changes in the community. In other words, this is how grass roots democracy works.
Recognitions And Awards
There are four elementary schools in California, one in Fort Worth, Texas, and a high school in Pueblo, Colorado named after Dolores Huerta.
She was inducted into the California Hall of Fame in March of 2013. She has received numerous awards: among them The Eleanor Roosevelt Humans Rights Award from President Clinton in l998, Ms. Magazine’s One of the Three Most Important Women of l997, Ladies Home Journal’s 100 Most Important Woman of the 20th Century, The Puffin Foundation’s Award for Creative Citizenship: Labor Leader Award 1984, The Kern County Woman of The Year Award from the California State Legislature, The Ohtli Award from the Mexican Government, The Smithsonian Institution – James Smithson Award, and Nine Honorary Doctorates from Universities throughout the United States.
In 2012 President Obama bestowed Dolores with her most prestigious award, The Presidential Medal of Freedom, the highest civilian award in the United States. Upon receiving this award Dolores said, “The freedom of association means that people can come together in organization to fight for solutions to the problems they confront in their communities. The great social justice changes in our country have happened when people came together, organized, and took direct action. It is this right that sustains and nurtures our democracy today. The civil rights movement, the labor movement, the women’s movement, and the equality movement for our LGBT brothers and sisters are all manifestations of these rights. I thank President Obama for raising the importance of organizing to the highest level of merit and honor.”
Dolores – The Documentary
“Dolores” is a 2017 American documentary directed by Peter Bratt, on the life of Chicana activist Dolores Huerta. It was produced by Brian Benson for PBS, with Benjamin Bratt and Alpita Patel serving as Consulting Producers and Carlos Santana as Executive Producer.Bratt’s exhilarating portrait of activist and community organizer Dolores Huerta serves as a timely reminder of the power of collective action in service of social justice. Huerta is perhaps best known for her work with Cesar Chavez in leading the unionizing efforts of farm workers in California in the 1960s, but her impact on American life stretches far beyond that. Independent Lens: Dolores serves as a corrective to a half-century of history that had until now relegated her impact to the margins. Huerta has been a constant and vocal advocate for the rights of women, immigrants, and people living in poverty. And her lobbying work has resulted in programs and legislation in support of all these groups.
More than that, she has served as a role model for women speaking out. Gloria Steinem credits Huerta for making it acceptable for women to join picket lines and make their voices heard. But Dolores is no hagiography. As Bratt shows, Huerta’s commitment to social justice came with a hefty price tag. Her 11 children had to endure long absences due to her work—but nonetheless many became activists themselves. She suffered threats of violence and was viciously beaten by the San Francisco police during a peaceful demonstration. Her deceptively simple exhortation—”¡SÍ se puede!”—contains the yearning for change and has become the mantra for generations of activists. Dolores calls us all to action, to pay attention and to be engaged citizens who make a difference.
The film has received the following awards:
• Audience Award: Best Documentary Feature at the SF Film Festival• Golden Space Needle Award: Best Documentary Feature at the Seattle International Film Festival• Audience Award: Best Documentary Award at the Montclair Film Festival• Audience Award: Best Documentary at the Denver Women + Film Festival• Audience Award: Best Feature Film at the Houston Latino Film Festival• Audience Choice Award: Best Feature Documentary at the Minneapolis/St. Paul International Film Festival• Nashville Area Hispanic Chamber of Commerce Award at the Nashville Film Festival• Peabody Award
Executive Producers: Sally Jo Fifer, Lois Vossen, Carlos Santana, Regina K. Scully, Janet McGillivray Wallace, Tom Steyer, Kat Taylor. Producers: Brian Benson, Peter Bratt. Co-Producer: Alpita Patel. Associate Producers: Lora O’Connor, Angelica Santana. Consulting Producer: Benjamin Bratt. Director: Peter Bratt. Writers: Peter Bratt, Jessica Congdon. Editor: Jessica Congdon. Director of Photography: Jesse Dana. Sound/Music: Mark Kilian, Bob Edwards, Brooke Wentz.